Things disappear – bodies, more or less truncated, or cut through by the landscape – but this is quite reversible: things "appear" also. He call these "abandonments" in an attempt at naming what sometimes looms in the pictures, a sort of state between life and death that can be portrayed in painting, so long as it constitutes a trace. Marc Desgrandchamps also notes that hidden images sometimes appear involuntarily: « Fluidity is a state of instability, of no-control that occasions a sort of lack of control of the shapes. Transparency, with the superimpositions it produces, also reinforces this state and determines these visual disturbances, which exist in the same sense as memory or speech disturbances. »1

In his paintings of ghostly bodies and fragmentary objects set in scenes where time seems to have stood still, Marc Desgrandchamps offers us a disturbing image of a world about to implode. The paintings somewhere between figurative and abstract have an enigmatic quality. His works draw on pictorial, photographic, cinematographic, literary and musical themes. With their play on transparency and superimposition, the intense colours and the carefully controlled composition produce a disquieting effect. His works force us to look more closely at the image. The spectator is then invited to fill in the gaps and ellipses, and reconstruct the story taking place "off screen".

Exhibition catalogue: Marc Desgrandchamps, Essay by David Cohen, published by Zurcher Studio, NY, 2009.